. Nhưng ở đây mọi thứ đã bị cô đọng, bị ảnh hưởng, sa lầy. Những bức tranh giống như một tâm trạng xấu xí.
[David] Salle’s earlier work had been marked by a kind of spaciousness, sometimes an emptiness, such as surrealist works are prone to. But here everything was condensed, impacted, mired. The paintings were like an ugly mood.
Janet Malcolm, Forty-One False Starts: Essays on Artists and Writers